AWORLD NEAR THE 7 STARS
The famous Nebra Sky Disc from Germany on the left is known as one of the finest example of prehistoric star charts. It gained considerable attention due to its age and details which appear to show a sun disc in a night sky scene together with 'moon' and the seven star cluster of Pleiades ref - a scene that is rather enigmatic, for why would our sun appear at night time placed within stars?
Wayne Herschel has immediately seen the possible connection, a very ancient star pattern left behind by our ancestors - to place a star like our sun and its world in crescent next to the 7 stars to mark the origins of the 'gods', i.e. flesh and blood entities from the stars, their address! ref
Compare the shockingly similar Cheyenne shield on the right, it is from 1860, kept in the Detroit Institute of Arts and it has the exact same story! ref It features a downward pointing crescent (partly obscure here) and with the Pleiades in a cluster layout, all of this surrounded by a rim that is open at a part and has strange chevrons in it. Possibly horizon/direction markers in both cases.
Two cultures separated by thousand of miles who replicate the same theme. Note how the Native American shield uses birds to map out what appear to be a pentagonal shape (highlighted here), something to be covered later, possibly a human form codex - and in context of birds and feathers which suggest the well-known bird headed 'gods' tied to the story who had the ability of flight. But in a striking Mesoamerican context these entities never really head a bird head - in American art it is shown numerous times how heads of humans emerged out of the beaks and how it was a mere advanced 'costume' of sorts... with a helmet LIKE a beak of a bird. ref1 ref2
The Maya of Central America, in the mythological tales, even gave their bird 'gods' address which apparently has been their place of origin too: the area of Pleiades - a description that matches the star map theme. Early Maya knew this.
NEBRA SKY DISC - CHEYENNE SHIELD, 1860
The Navajo tribe has preserved a great treasure of knowledge. It is their mask of the Black God, an entity who created the stars and order in the universe. To this day his mask is reproduced based on a pattern of 3 circles (as mouth and eyes) and what is officially Pleiades on the upper right! ref
This is fascinating because it is the exact same star pattern seen elsewhere, with the addition of two other sun stars in the area as the Ancients had knowledge of not only one special star near Pleiades but 3 suns!
Note how the central star (mouth) was deemed most important as seen in other ancient charts and there was a planet in crescent connected to it by a ROPE or ray of light and was placed on the forehead. These will be important to reason for in the following.
Compare this layout to that on the original freemasonic tracing board on the right, first deciphered to be the same star map by Wayne. Note how an identical beam of light is emanating from the central sun star, down to Earth which is the ladder of Jacob to mark the path of angels to our world! ref
THREE STARS OF THE 'GODS'
MASK OF THE BLACK GOD, NAVAJO - MASONIC BOARD
THE AREA OF THE 3 SUN STARS NEAR PLEIADES
THE BAMBOO TO OTHER WORLDS
It is at this point that things are going to get even more exciting. This ladder of light is a universally featured theme present in so distant regions as the Toraja tribe of Indonesia as well and in the context of the same 'Pleiades and sun stars' theme! ref It appears as a 'ROPE' OF REED in Native American tradition, one that according to elder traditions was created by Spider Grandmother, the weaver of the net of stars, in order to transport groups of troubled people from one world to another! It was likened to a hollow reed or bamboo through which people used to traverse to another place and it 'grew' towards the sky ref ... something uncannily resembling a wormhole - more on this in the following chapters.
Both the Hopi and Navajo speak of these 'worlds'... according to them 4 in number, the current one being the 4th, with 3 previous 'mythical' worlds that are placed in the distant past 'before Earth's time'. ref1 ref2
But were these worlds mere spiritual and fantasy?
Or is there more to it?
A PUEBLO KIVA IN MESA VERDE
TRADITION OF THE WORMHOLES
The story of the Hopi narrates that the place of emergence from the hollow bamboo took place near the Grand Canyon and even today they celebrate this by placing a symbolical hole in the floor of their structures - this is the Sipapu, a marker for a portal gate that existed back in those days. ref
The idea of a rope-like thing that transports 'gods' and souls in not restricted to this land! As hinted at before, this is also the sky ladder in Christian and Eastern traditions. It also has Siberian counterparts, known in Hungarian folklore as the 'Egig ero paszuj', frequent in tales, a magical plant that grew towards the sky and the knight was able to climb it to reach the 'heavenly' land of the dragon and free the princess. ref
The dragon in these tales takes us one step closer to the truth. For Ancients were obsessed with the dragon or serpent (they etymologically are the same) and Ancient Egyptian murals show how the souls traversed space and stars on flying cosmic serpents - tube-like conduits, wormholes. More about the opening of these star gates in the following.
(SEE REFERENCES BELOW)
THE HOME OF THE 'GODS' IN TAURUS
The above drums are select Native American artifacts by many tribes, some kept in museums like the central prominent one or offered on auction sites but all mirror old, original teachings and 'medicine'.
Even though the recent tribal sky maps introduce constellation Taurus the bull as a different asterism and not as a bovine as in most European traditions it is fairly conclusive that at some point in their history a celestial bull must have had a very important role since several tribes preserved the upmost importance of buffalo chiefs and traditions and it is vividly featured on their artifacts like here - in company of stars! It is possible that there was an original, global teaching of this area of the sky as a cow or bull hence it appears in Indonesian and Far Eastern (early Chinese) iconography too. Notable is the Sioux story of White Buffalo Calf Woman who appears to be a 'female messiah' from the area of Pleiades in their stories! ref1 ref2
Not only many drums mimic the global obsession of putting a star or sun between the horns of the spirit-beings, referred to as Kachinas, but they place the crescent worlds on the back of the sky buffalo - the true area of Pleiades and the X sun-like stars nearby as seen on the above insert. (red Cheyenne shield, Denver Art Museum - middle shield, Harvard museum of Natural History and Peabody Museum)
The breakthrough here is the extra detail of the crescent which is a sickle shaped one, not a moon crescent. It is an anomaly present in several ancient Sumerian depictions too in context of the star map - a planet passing in front of its sun to create this shape, an ultimate reference to the world of the 'gods' and it accompanied by 2 black painted stars on both sides of the crescent. Compare to Mid Eastern images here and here (note crescents above bulls and Pleiades)
Note how a faint bird (bird man cult) is emerging out of the crescent, note also how the two far-right depictions both show 3-3 stars, the Kachina deity wears 2 tiny ones on his horns and one in the middle. (Pueblo shield, 1920's) The small drum in the lower middle also shows a little bird-man with pyramidal ray below its horns with a radiant red sun.
FREMONT ROCK ART, NINE MILE CANYON
ANCIENT ASTRONAUTS
The arid and dry climate in the Southwestern US preserved some magnificent drawings and carvings of ancient man that are rather intricate especially when local tribe descendants comment how these beings were in fact brothers and sisters from the stars, real beings!
The image above is one such example, of one who appears to be robust in shape with a (double?) helmet and a strange bottom or leg part like a space suit. The entity literally wears 'antennas' - these might have been inspired by the horn cult to revere Taurus as suggested by the headdress of the being on the right, however, it possibly mixed with some real antennae device detail.
Notice the excessive use of horned animals like here in many rock art, probably for Taurus/Aries area (the sun star area). Also note the wavy shape, something discussed in the following.
The rock art here found by Wayne Herschel replicates a similar entity with the 7 dots of Pleiades and a crescent world associated with it, he stands on it. Note his 'helmet', it is a pentagonal shape, possibly a symbol for human form as explained on Wayne's site. For more... click here
The Pawnee, Cherokee and Hopi also produced identical maps of the world near Pleiades, all featured in Wayne's articles here and here
BARRIER CANYON, SEGO CANYON
THE COSMIC SERPENTS
The rock painting above shows a major element of the portal story, a scene found worldwide: an entity or 'god' who opens the cosmic gateway using two serpents or rods! The case for the cosmic snake fits in neat here as it is the earlier discussed ancient synonym for a worm-hole (snake-hole) and the portal or Sipapu is the end of this conduit opened by the travelers. They all wear horns, too. The goggle eyes with no mouth or facial features suggest one-piece suits of astronauts and helmets. Similar to a 'hazmat' whole-body garment ref
The ringed dots joined by lines and reaching to the snakes suggest journey between many suns and stars. Note the insert as well, two men looking what appears to be a shining anomaly of a flying circular craft?
WORLDWIDE FOUND ARTIFACTS
OPENING THE STAR GATE
Above is a collection of some of the finest examples of opening the stargate. Compare to the previous rock art scene. The 'Nazca Astronaut' as it is called with the identical goggle eyes, one-piece dress and boots, and waving is placed within two vertical lines like Viracocha as seen in Tiahuanaco in Bolivia in South America. Viracocha's rods are actual serpents, too - look at their eyes!
Researcher Richard Cassaro here and here has done an extensive search on this scene and collected a magnificent album of identical star gate openings. He also compares designs of ancient structures to show they were inspired by the same source, globally.
SENOR DE BACUL, CHILE
This rock painting from Chile shows a Lord or deity in the 'ritual' of opening the same portal but this time, shockingly, with domed lines that resemble flying UFO discs! He also rides one of these discs hence merged into its top with no legs and he carries the rings, like on the previous rock design, possibly to denote journey to suns (discs). Note his radiant head.
Most of the star gate opening cases involve bent knees like here too.
GUAYABO, COSTA RICA
FOLLOWING THE COSMIC LAYOUT
Moving on to Central America, Costa Rica preserved a relatively little-known but important site called Guayabo de Turrialba which appears to have been built in a profound pattern. There is an ongoing research into the archaeo-astronomical properties and alignments of the site thus it would come as no surprise to find that the settlement was intentionally designed to mimic a constellation or star map. ref
'Coincidently' it does mirror the stars of Pleiades and it has a prominent causeway leading to huge blocks - no one knows why. However, the star match sheds new light on this: the Pleiades village seems to show the way like an arrow to the place of the X, the position of the main sun star! Moreover, it is accompanied by two other offset monuments both in place for the two other stars. It is intriguing that archaeologists actually found a mysterious stone engraved by what appears to be a TRIO OF SUNS, with a central blazing sun and a planet transiting in front of it, they are in a triangle too - see the famous stone HERE and sketches here (middle)
Researchers also discovered a second stone HERE placed at the lower anomaly (corresponding to the second sun) which shows a globally occurring symbol, the Kanaga which turns out to be an ancient sign for Orion whose belt was used to locate the area of the sun stars near Pleiades in Taurus. 'Coincidently', like in the Indonesian star map and the Mexico city star map, Guayabo aligns with 3 great volcanoes in a row that are present on their coat of arms as well - possibly natural markers of Orion's belt and the ancient sites were carefully chosen to align with them.
Wayne Herschel in his May 2014 article deciphered the same star pattern in Cahokia, the once majestic Nort American city with pyramid mounds and a number of other ancient sites - for the breakthrough findings... clike here
ATACAMA GIANT AND OTHER GEOGLYPHS
THE HEAVENLY CROSS
Thousands of obscure geoglyphs lie in Chile's Atacama desert. Drawings left behind by Ancients, messages facing skywards, perhaps for the 'gods' to see they knew some of their 'heavenly secrets'. Among them we find the SINGLE LARGEST GEOGLYPH ever created known as Atacama Giant on the upper left. ref He also has a radiant head and was nicknamed as the 'robot' due to his strange almost unearthly look. He has his knees in a bent position and holds some tools along with a long tunnel that opens to a 'small' cross like an x marker on a map. He has a prominent belt too and this is in tune with the well-known Orion man tradition whose belt apparently shows the way to the sacred area.
This is without question if one takes a look at what is above him. The Inca cross or Chakana which, besides its cosmic tree meaning, is regarded as the symbol for ORION. It is aligned towards the small cross. A scene first discovered in Christian art by Wayne Herschel - he recognized how the Sacred cross has originally been Orion bound as a cross and its 3 kings in its belt showed the way to the sacred star... of Bethlehem! See animation here for a full understanding.
BARASANA COSMOS
TRIBAL MEMORIES OF AMAZONIA
The Barasana tribe native to the depths of Amazonia is known for its sky chart reproduced above. They explain it includes sacred figures like the 'Anaconda', 'moons' and a 'comet' on the upper part. They also state that the central irregular teardrop shape is indeed Pleiades. ref Interestingly it was put in the middle of the map with a mysterious ringed dot symbol, all enclosed by a serpent. Note how the teardrop Pleiades sharply points to the dot. Amazingly, this scene is an exact copy of the Egyptian tradition seen below where the most sacred constellation, the leg of the bull aka Pleiades was used to act as a wayshower to the star of the 'gods' nearby as deciphered by Wayne Herschel.
Notice the many crescents on the right, too - are those solely for markers for our moon in different phases or perhaps other worlds?
FINDING BY WAYNE HERSCHEL
The Egyptian examples use the same ringed dot or circumpunct symbol and also have the leg-shaped Pleiades as a teardrop shape to point the way! The above detail from the Senmut tomb even includes Orion's belt as it points to the star of the 'gods'.
The Barasana star map also shows a V shaped heap nearby that matches the V asterism made up of the five stars of Taurus. It also includes the serpentine Milky Way or anaconda below placed in a true orientation compared to the position of Pleiades.
Moreover, 'coincidently' there is a huge stone carving associated with the tribe that, once again, shows the now familiar kanaga symbol complete with two central rings - Orion! For the antique photo... clike here
CHUMASH MYTHOLOGY - INSERT: ABUSIR, CYDONIA
ANCIENT KNOWLEDGE
The Ancient People of the Americas had a clearly defined knowledge of the place of the origin near Pleiades, all marked a nearby area in Taurus. Their thorough and detailed records of the star systems near the cluster are neatly shown by the fact that they even preserved the memory of an 8th lost Pleiades star - one that used to form a pentagonal shape with the other main stars (it is an x-ray source spot now, multiple star system, possibly one of its components diminished or went supernova, circled).
The story of the 8 wise men of Pleiades recalls how one of them has suddenly grown fainter never 'to be seen' again. ref (page 89) This story is consistent with the many others around the world which record that a 7th star is 'missing' as well (Greek or Australian myths) however this could refer to another star in the cluster that used to be brighter but still visible today.
This 8th, lost star is important as it appears to be incorporated some of the most ancient star maps discovered by Wayne like that of Abusir in Egypt here, Cydonia of Mars here or the Key of Solomon records here. A story like this of the Chumash tribe gives further credibility to this!
This scene is replicated in another spot as well. On the above right, also in the Atacama desert, see how a cross with a pointer marker shows the way to a ringed star with dots (planets?) and an entity stands nearby. It matches the way King Solomon depicted the secret, deciphered by Wayne here
There's even more to this, although not seen here the entity has a kanaga symbol behind him and the Atacama Giant also has the kanaga animal on its side... like in Costa Rica - the other ultimate symbol for Orion. ref
The fact that the 'hollow bamboo' grew towards the sky from the ground in each previous world suggest a physical journey and so do the many elements found attached to each of these worlds which recall a very ancient advanced culture whose survivors are today's humans on Earth. Having all cultures around the world showing records of 3 previous star systems of humanity including the Americas as shown in Wayne Herschel's many star maps... is it far-fetched to say that the three might have been the 3 sunlike star system near Pleiades?
The following is a short collection of events and timeline through these worlds that give a clue to just what had happened before, with an added understanding by me:
CREATION OF EVERYTHING
By Spider Woman and his nephew Sotuknang. He was addressed to shape 9 solid worlds and place on them land, sea, winds, breezes and life.
WORLD 1
The creation of human beings in this beautiful world, four in color: yellow, red, white, black and 4 original languages. These people were given a 'soft spot' on their forehead which later solidified - they could use this 'to communicate with the eternal creator' (recall mask with crescent on forehead and 'third eye'). People lived in harmony and peace until they began to forget and separate, this caused imbalance. This world was destroyed by fire but some were given the chance to flee, live in underground hiding places of the Ant People (grey aliens?) for a while before they would see WORLD 2.
WORLD 2
A 'less perfect' world where people lived in villages linked by roads. The animals were wild. Sooner or later communities grew corrupt and started wars over resources. This world was destroyed too, by earthquakes and 'spin off' of poles that caused freezes. Some people were, again, granted to take refuge underground to be taken care by the Ant People and learn from them before entering WORLD 3.
WORLD 3
People have spread across this whole world 3, the population quickly grew. They built large cities and separated as nations. Soon they started to build the PATUWVOTA, huge shields on which they could fly, and when wars broke out they used these flying shields to attack other cities. Sotuknang quickly destroyed this world but the those few who remembered the creator could escape the destruction by giant floods. They were taken to the next world by a hollow reed.
WORLD 4
The current world, home of the Hopi tribe as well, 'not so perfect' as the previous worlds and full with wild places, heat, cold, arid, high mountains and valleys.
This fascinating storyline includes many precious references, to flying shields or UFOs mentioned by Wayne on his South America page too or the third eye phenomenon witnessed in the art of all ancient cultures, here conclusively spoke of as a linking article to 'divine thoughts and intuition'. Since these are so ancient happening it is possible that the Hopi mixed it with real earthly events like the Great Deluge since varying accounts mentioned that some of the flying shields and destroyed cities are buried on the bottom of seas even today. ref1 ref2
Amazingly, the Navajo tell a very similar story with slightly different words. They talk about the air-spirit people in the First World who had a conflict and people escaping through flying and walking on a 'wand of jet' into an opening in the sky and the similar hollow reed that grew towards the heavens installed on a mountain. They also narrate a flood and the 'large bowls of spinning shells' that created openings into the water, the counterpart of the Hopis' flying shields. Read more here
OTHER PLANETS?
In the North American section of the British Museum a prominent drum from the 1850's called 'Midewiwin drum' replicates the same obsession. Particularly interesting is the association of the artifact with the tribal cosmology as it suggest the symbols on it were meant to be interpreted in context of the cosmos, the buffalos too. Note how the crescent and disc forms a triangle with the central sun disc above the buffalos, it is reminiscent of the solar trio near Pleiades, and in the company of bird men and a horned entity! It couldn't be any clearer.
BRITISH MUSEUM
HORNED ENTITIES
Look at the collection of petroglyphs above. These North American rock art examples show an obsession with a spiral and horned entities/gods. The spirals sometimes are regarded as glyphs for these Sipapu portals so it is of paramount importance why they are connected to the bull theme. ref It seems these 'gods' who open the portals using a special staff are 'of bull' status just like their counterparts around the world who, for some reason, wore horns like those of Sumer or Egypt. ref
MIDEWIWIN DRUM, 1850, BRITISH MUSEUM